Composition & Creative Writing · Grades 7–12 · Quick reference

Composition& Essay Writing

Grades 7–12 · College8 pages

The writing process · the canons and appeals of classical rhetoric · thesis and outline · paragraphs · introductions and conclusions · transitions · eight kinds of essay · research and sources · quoting and plagiarism · style · common errors · revision checklists · rubric

1Writing process2Classical rhetoric3Thesis statements4Outlining5Transitions6Paragraphs7Intros & conclusions8Model essay9Narrative, descriptive, expository10Argument & fallacies11Compare & cause12Literary analysis13Essay exams14Style & concision15Sentence variety16Research paper17Evaluating sources18Quoting & plagiarism19Common errors20Revision checklists21Self-check rubric

1The Writing Process

Inventinventiofind what to sayArrangedispositiothesis + outlineDraftelocutiowrite it throughRevisepass 1argument, orderEditpass 2sentences, wordsProofreadpass 3mechanics, formatPublishmemoria · actiofinal copygo back to any step whenever the writing needs it
Purpose
teach (inform, prove), delight (hold interest), move (change a mind or a deed)
Audience
what the reader knows, believes and needs; write for a sensible reader who missed class
Occasion
assignment, length, form, deadline; the prompt’s verbs (section 13)

Four questions before the first word

Who will read it? Why: to teach, delight or move? What exactly is my claim? How long, in what form, by when?

Invention: finding material

  • Brainstorm a list; freewrite 10 minutes without stopping; cluster ideas around a center word.
  • Ask who, what, when, where, why, how.
  • Visit the topics (the course’s five rooms): definition, comparison, relationship, circumstance, testimony.
  • Read and take notes; record every source as you go.

“Write the vision, and make it plain upon tables, that he may run that readeth it.” (Habakkuk 2:2, KJV)

Copy, imitate, invent

Classical schools taught writing by imitation. Benjamin Franklin, reading the Spectator, “took some of the papers, and, making short hints of the sentiment in each sentence, laid them by a few days,” then rewrote them and compared (Franklin, Autobiography). Try it with a paragraph you admire.

Drafting

  • Write straight through; fix later. Leave [brackets] for a missing fact.
  • Stuck on the opening? Draft the body first.
  • Keep the thesis and outline in view.
  • Save each version with a date.

2Classical Rhetoric

The five canons
CanonLatinQuestion it answersIn an essay
1 InventioninventioWhat can I say?research, the topics, the stasis, the thesis
2 ArrangementdispositioIn what order?outline; the parts of the oration; strongest point last
3 StyleelocutioIn what words?correct, clear, fitting (decorum), well ornamented
4 MemorymemoriaHow will I hold it?know the material; notes and practice for a speech
5 Deliverypronuntiatio, actioHow will I present it?voice and gesture; for a paper, clean format and final copy
Rhetoric (Aristotle): the art of finding, in each case, the available means of persuasion. Logic tests whether an argument is sound; rhetoric makes sound arguments win a hearing.
The three appeals
AppealRests onBuilt by
Ethosthe writer’s character: good sense, good character, goodwillaccuracy, fairness to opponents, careful citation
Pathosfitting feelings in the readerconcrete examples, a story, vivid detail
Logosreasons: the enthymeme and the exampleevidence, sound inference, answered objections
Logos is the backbone; ethos and pathos carry it.
Six parts of the oration
Part of the orationIn an essay
Exordiumintroduction: win attention and goodwill
Narratiobackground: the facts the reader needs
Partitiothesis and forecast
Confirmatiobody: the proofs
Refutatioanswer the objections
Peroratioconclusion: sum up and move
Kind of oratoryTimeAsks
Deliberative (assembly)futureexpedient or inexpedient?
Judicial (court)pastjust or unjust?
Ceremonial (praise, blame)presenthonorable or shameful?
The four stases
StasisThe question
FactDid it happen?
DefinitionWhat is it?
QualityWhat kind is it: good, bad, serious?
ProcedureWho should decide, and how?
School
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Composition & Creative Writing · Grades 7–12: Thesis & body paragraph (G7) · comparison & description (G8) · canons & appeals (G9) · literary analysis (G10) · research & persuasive essay (G11) · senior thesis (G12)
Lesson: schoollaunch.org/courses/composition/ · Original School Launch material.
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CompositionComposition & Creative Writing · Grades 7–12 · continued

3Thesis Statements

Weak to strong
WeakWhyStronger
Pets are nice.vagueA family dog teaches children responsibility, patience and loyalty.
In this essay I will talk about Rome.announcesRome fell less to barbarians than to debased coins, crushing taxes and divided rule.
Homework has pros and cons.fence-sitsHomework helps when it is short and practices one skill; long busywork harms.
Washington was the first president.a factWashington’s greatest act was giving up power, twice.
Topic, fact or thesis?
Example
TopicKing Alfred and the Danes
FactAlfred defeated the Danes at Edington in 878.
ThesisAlfred saved Wessex less by battle than by building: fortified towns, a new fleet and schools.
A thesis for every kind of essay
EssaySample thesis
ExpositoryGood bread needs only four things: flour, water, salt and time.
ArgumentEvery high school should require a year of formal logic.
Literary analysisDickens makes Scrooge’s change believable by first letting him see his own past.
CompareAthens and Sparta both trained sons for the city: Sparta for war alone, Athens for war and debate.
Cause-effectThe Erie Canal made New York the chief port by cutting freight costs from the Great Lakes.
Narrativethe point of the story: The night the barn burned taught me what neighbors are for.

Classical thesis and final heads

A classical thesis is a general question (Should a ruler build schools?); a hypothesis is one case (Should Alfred?). Test a proposal by the final heads: lawful, just, expedient, possible, honorable?

Thesis statement
one sentence that states the claim the whole essay will prove
Four marks
(1) one sentence; (2) a claim, not a topic or a fact; (3) arguable but defensible: a reasonable reader could disagree, and you can prove it in the space; (4) a forecast of the reasons, in order

The “Prove it” test

  • Could a sensible reader disagree? If not, it is a fact.
  • Can I prove it in the pages I have? If not, narrow it.
  • Does every body paragraph prove part of it?
  • Revise the thesis last: the draft often discovers the real claim.

A pattern to start from

Although [the best objection], [claim] because [reason 1], [reason 2] and [reason 3].

4Outlining

Sentence outline (model)

Thesis: Alfred saved Wessex less by battle than by building: fortified towns, a new fleet and schools.

I. Fortified towns (burhs) gave every district a refuge.

A. No farm lay far from a walled town.

B. Each town owed a fixed number of men for its walls.

II. A new fleet met the raiders at sea.

A. Alfred’s ships were longer than the Danish ships.

B. They fought before the raiders could land.

III. Schools and English books trained leaders.

A. A court school taught nobles’ sons to read.

B. Alfred had key Latin books put into English.

IV. Objection: Edington won the war. Answer: only the building kept the victory.

“to write unto thee in order” (Luke 1:3, KJV)

Ways to order the points
OrderUse it for
Chronologicalnarratives, processes, history
Spatialdescription: near to far, top to bottom
Importancearguments: strong, weaker, strongest last (the Homeric or Nestor order)
Problem–solutionproposals
Cause–effectexplaining why, or what follows
Comparisonblock or point by point (section 11)

Titles

Name the subject and hint at the claim: Fortress and Book: How Alfred Saved Wessex. Use title case. Your own title takes no quotation marks, italics or bold in MLA; APA sets it in bold.

Outline form

  • Levels: I. → A. → 1. → a. Indent each level.
  • Never a lone I or A: divide only into two or more.
  • Keep headings parallel (all sentences, or all phrases).
  • A sentence outline puts the topic sentence of each paragraph in place: the draft nearly writes itself.

The five-paragraph essay

A scaffold, not a cage: introduction, three body paragraphs, conclusion. Learn it in Grades 7–8; then let the number of body paragraphs follow the number of reasons the thesis needs. A research paper uses the same plan, each part grown into several paragraphs.

5Transitions

RelationWords and phrases
Additionalso, moreover, besides
Comparisonlikewise, similarly
Contrasthowever, yet, in contrast
Concessiongranted, admittedly, of course
Cause, effecttherefore, thus, as a result
RelationWords and phrases
Examplefor example, namely
Emphasisindeed, in fact, above all
Sequencefirst, next, then, finally
Placeabove, beyond, nearby
Conclusionin short, on the whole

Using them well

  • Fit the word to the relation: however turns; therefore concludes.
  • Use them at the turns, not on every sentence.
  • Link paragraphs by echoing the last idea.
  • Punctuate: The ford was closed; therefore, we waited.
School
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Composition & Creative Writing · Grades 7–12: Thesis & body paragraph (G7) · comparison & description (G8) · canons & appeals (G9) · literary analysis (G10) · research & persuasive essay (G11) · senior thesis (G12)
Lesson: schoollaunch.org/courses/composition/ · Original School Launch material.
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CompositionComposition & Creative Writing · Grades 7–12 · continued

6Paragraph Structure

The body paragraph
PartIts job
1 Topic sentencestates the one point of the paragraph, tied to the thesis
2 Evidencefacts, examples, quotations, testimony
3 Explanationshows how the evidence proves the point: usually the longest part
4 Linkties the point back to the thesis or leads to the next
A body paragraph in a school essay usually runs 80–120 words.

The quotation sandwich (Traditional)

Introduce the quotation, quote it, then explain it. Never let a quotation stand alone as a sentence.

Model paragraph

(1) Alfred’s first defense was a ring of fortified towns. (2) After the Danes nearly took his kingdom in 878, he built walled towns, called burhs, placed so that no farm in Wessex lay far from shelter, and he fixed how many men each town owed for its walls. (3) These towns changed the war: raiders who had once struck and vanished now met a garrison within a day’s ride, and a burh could hold out until the army arrived. (4) Walls of earth and timber, more than any single battle, kept Wessex English.

Start a new paragraph

  • for a new point; a new time or place; a new speaker in dialogue.
  • to give a long paragraph a breathing space, splitting it at a real turn.
Unity
every sentence serves the topic sentence; cut or move the stranger
Coherence
sentences connect: old information first, new last; repeated key terms; clear pronouns; transitions at the turns
Development
enough proof to satisfy a doubtful reader
Kinds of evidence
EvidenceWeight
Facts, sound datastrong
Quotations from the textstrong in analysis
Expert testimonystrong if qualified
Examplesgood; better in numbers
Analogy, storyillustrates; rarely proves

7Introductions & Conclusions

Hookbridge: general → specificTHESIS (last sentence)Body 1: strong reasontopic · evidence · explanation · linkBody 2: weaker reasonsame four partsBody 3: strongest reasonthen answer the best objectionRestate the thesis (fresh words)gather the reasonssend off: act · look ahead · echo the hook
The funnel: general to specific, then back out
Introduction: hook, bridge, thesis
Honest hookExample
SceneIn the winter of 878, a king hid in the marshes of Somerset with a few loyal men.
QuestionWhat makes a beaten king worth remembering?
Striking factThe scholar-king did not begin to read Latin until he was nearly forty.
Quotation“A wise man is strong; yea, a man of knowledge increaseth strength.” (Proverbs 24:5, KJV)
The bridge narrows from the hook to the thesis in 1–3 sentences; the thesis usually ends the paragraph.

Openers to avoid

  • a dictionary definition (Webster’s defines…)
  • Since the dawn of time…; In this essay I will…
  • a string of questions; an apology
Conclusion: restate, gather, send off
Conclusion moveWhat it does
Restatethe thesis in fresh words
Gatherthe reasons into one view
Send offa call to act, a look ahead, an echo of the hook
No new argument or evidence.

8A Model Essay, Annotated

PartFortress and Book (a short argument essay; original)What it does
IntroductionIn the winter of 878, King Alfred of Wessex hid in the Somerset marshes with a few loyal men while Danish armies held most of England. That spring he won at Edington, but kings had won battles before and lost their lands the next year. Alfred saved Wessex less by battle than by building: fortified towns, a new fleet and schools.hook (a scene) · bridge · thesis with a forecast, last
Body 1Alfred’s first defense was a ring of fortified towns. He placed walled burhs so that no farm lay far from shelter, and he fixed how many men each town owed for its walls. Raiders who had once struck and vanished now met a garrison within a day’s ride.topic sentence · evidence · explanation; the strong reason first
Body 2Next, Alfred took the war to sea. He ordered ships longer than the Danish ships, so that raiders could be met before they landed. Though the new crews were not always skillful, a coast with a fleet behind it was no longer an open door.transition Next · concession Though · the weaker reason in the middle
Body 3Most important, Alfred built minds. He gathered scholars, opened a school at court and had the books he thought most needful put from Latin into English. Some say Edington alone saved Wessex; yet that victory lasted only because towns, ships and readers were ready when the Danes returned in the 890s.Most important: strongest last · the objection answered (refutatio)
ConclusionAlfred’s sword won a spring; his walls, ships and books won a century. The towns kept the land, the fleet kept the coast and the schools kept the faith and the language. A people that means to last could do worse than build as he did: something to defend it, and something worth defending.restate in fresh words · gather · send off
The Grade 7 five-paragraph scaffold. A full essay adds evidence and citations; the facts are standard history (the Anglo-Saxon Chronicle; Asser).
School
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Composition & Creative Writing · Grades 7–12: Thesis & body paragraph (G7) · comparison & description (G8) · canons & appeals (G9) · literary analysis (G10) · research & persuasive essay (G11) · senior thesis (G12)
Lesson: schoollaunch.org/courses/composition/ · Original School Launch material.
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CompositionComposition & Creative Writing · Grades 7–12 · continued

9Essay Types: Narrative, Descriptive, Expository

TypePurposeUsual orderKey moves
Narrativetell a story that makes a pointchronologicalscene, conflict, rising action, climax, resolution; dialogue; show, don’t tell; past tense, first or third person
Descriptive (ecphrasis)make the reader seespatial or by impressionone dominant impression; all five senses; concrete nouns, exact verbs; figures of speech
Expository: processexplain howsteps in sequencematerials first; one step per sentence or paragraph; warn before the hard step
Expository: definitionexplain whatclass, then differenceA canal (term) is a waterway (class) dug for boats or irrigation (difference); examples and non-examples
Expository: classificationsort into kindsone kind at a timeone principle of division; kinds that do not overlap and leave nothing out
Expository writing also explains by illustration (examples), comparison and cause and effect (section 11). Formal exposition is in third person, present tense.
Narrative: show, don’t tell
TellShow
Ben was nervous.Ben read the first line of his speech four times and still could not say it.
The room was old.Dust lay in the folds of the curtains, and the clock had stopped at ten past four.

A model of description

Dickens stacks exact participles to fix one impression: “a squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner!” (Charles Dickens, A Christmas Carol, 1843).

Dialogue

  • New paragraph for each new speaker.
  • Comma or end mark inside the closing quotation mark: “Wait,” she said.
  • Use said most of the time; let the words carry the feeling.

10Persuasive & Argument Essays

Parts of an argument
PartWhat to do
Claimthe thesis: what should be believed or done
Reasonswhy: usually two to four
Evidencefacts, examples, testimony for each reason
Counterargumentthe best case against you, stated fairly
Concessiongrant what is true in it
Rebuttalshow why your claim still stands
Persuasive writing uses all three appeals to move to action; an academic argument leans on logos and treats objections at length.

Enthymeme: find the hidden premise

Ben should lead the team, because he is the most experienced player. The unstated premise: the most experienced player should lead. If a reader would reject the hidden premise, state it and defend it.

Three kinds of claim
Claim ofAsksExample
FactIs it so?Alfred’s ships outran the Danes’.
ValueIs it good?Alfred was the greatest English king.
PolicyWhat should be done?Our school should teach logic.

Fair dealing

  • Steelman: state the other side so well that its holders would accept your wording.
  • Quote opponents accurately and in context.
  • Order the proofs strong, weaker, strongest; put the rebuttal before the strongest or just before the conclusion.
  • “He that is first in his own cause seemeth just; but his neighbour cometh and searcheth him.” (Proverbs 18:17, KJV)

“be ready always to give an answer to every man that asketh you a reason of the hope that is in you with meekness and fear” (1 Peter 3:15, KJV)

Fallacies to avoid (Logic course, Unit 3)
FallacyWhat goes wrongExample
Ad hominemattacks the person, not the argumentIgnore his bridge design; he failed algebra once.
Appeal to authoritycites someone not expert on the pointA famous pitcher says this cereal sharpens memory.
Appeal to the manypopular, so true (bandwagon)Everyone is buying it, so it must be best.
Appeal to tradition, noveltyold, so good; new, so betterWe have always done it this way.
Appeal to pity, fear, forcefeeling or threat in place of reasonsPass this law or the town will be ruined.
Red herringchanges the subjectWhy fuss about my essay when the roof leaks?
Straw manattacks a weaker version of the viewYou want less homework? So you want students to learn nothing.
Begging the questionassumes what it should proveThis paper never prints errors, because it says it is accurate.
Complex questiona question that hides a claimHave you stopped wasting the budget?
False dilemmaonly two options offered when there are moreEither we cancel the game or someone gets hurt.
Hasty generalizationa broad rule from too few casesTwo cousins disliked the book, so teenagers dislike it.
Slippery slopeone step must lead to disaster, unshownAllow one late paper and soon no one will turn one in.
Post hocafter it, therefore because of itI wore my red socks and we won.
Equivocationa word shifts meaning midwayA feather is light; light is not dark; so a feather is not dark.
Composition, divisionwhole and parts confusedEach brick is light, so the wall is light.
School
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Composition & Creative Writing · Grades 7–12: Thesis & body paragraph (G7) · comparison & description (G8) · canons & appeals (G9) · literary analysis (G10) · research & persuasive essay (G11) · senior thesis (G12)
Lesson: schoollaunch.org/courses/composition/ · Original School Launch material.
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CompositionComposition & Creative Writing · Grades 7–12 · continued

11Compare-Contrast & Cause-Effect

BlockIntro + thesisA: point 1A: point 2A: point 3B: point 1B: point 2B: point 3VerdictPoint by pointIntro + thesisPoint 1: A and BPoint 2: A and BPoint 3: A and BVerdict
Two ways to arrange a comparison

Comparison essays

  • Compare like with like, on the same points, in the same order.
  • Block suits short essays; point by point keeps long ones clear.
  • End with a verdict: what the comparison shows. The classical syncrisis sets two lives side by side, as Plutarch paired a Greek and a Roman.
  • Plan with a two-column chart; similarly, likewise, whereas, unlike, in contrast.

Cause-and-effect essays

  • Show the chain: each link must really cause the next.
  • Separate immediate causes (the spark) from underlying ones (the dry wood).
  • A necessary cause must be present; a sufficient cause is enough alone.
  • Two things together are not proof one caused the other; after is not because (post hoc).
  • because, since, as a result, consequently, led to, therefore.

12Literary Analysis

The moves

  • Read closely, twice; mark repeated words, images and turns.
  • Claim how and why, not what happens: summary is not analysis.
  • Prove it with short quotations, each introduced and explained.
  • Write in the literary present: Scrooge refuses, not refused.
  • Name the author in full once, then by last name (Shakespeare, never William or Will).
  • Titles: long works in italics; poems, stories and chapters in “quotation marks.”

Quoting poetry

Mark line breaks with a slash and cite line numbers: “Shall I compare thee to a summer’s day? / Thou art more lovely and more temperate” (lines 1–2). After the first citation, give numbers alone: “thy eternal summer shall not fade” (9). Quote four or more lines (MLA) as a block.

Close-reading questions

  • What repeats? What changes (where is the turn)?
  • What is odd, surprising or left out?
  • Which words carry two meanings?
  • How does the form (meter, rhyme, line and sentence length) fit the sense?
  • Why does it end where it does?

Terms of analysis

Theme
the insight about life the work develops (a sentence, not a word)
Plot
exposition, rising action, climax, falling action, resolution
Conflict
a struggle: with another person, nature, society, oneself, or God
Point of view
first person; third person limited; third person omniscient
Character
round or flat; dynamic (changes) or static
Setting
time, place and circumstances
Tone · mood
the author’s attitude · the reader’s feeling
Symbol
a concrete thing that stands for more than itself
Imagery
language that appeals to the senses
Irony
verbal (says the opposite), situational (the unexpected), dramatic (the audience knows more)
Foreshadowing
hints of what is coming
Allusion
a brief reference to a known work, person or event
Citing the text
WorkCite (MLA)
Prose(Dickens 23): author and page
Poem(lines 1–2), then (9)
Verse play(Ham. 3.1.56): act, scene, line
Bible(King James Bible Online, Ps. 1.3)
Formats in full: the MLA & APA Citation sheet.
Summary (weak)Analysis (strong)
In Sonnet 18 Shakespeare compares someone to summer.Sonnet 18 turns a compliment into a boast: by the last line, the poem, not the beloved, is what lasts.

13Essay Exams & Timed Writing

Prompt verbDo this
Analyzebreak it into parts; show how the parts work together
Compareshow likenesses (and usually differences)
Contrastshow differences
Definegive the class and the difference, with an example
Describegive the features, in a clear order
Discussexamine it from more than one side
Prompt verbDo this
Evaluatejudge its worth by stated standards
Explainmake clear how or why
Illustrategive examples
Justifygive reasons for a position
Summarizegive the main points briefly
Tracefollow a development in order
Timed essay (40 min)Minutes
Read the prompt, plan, write a thesis5
Draft introduction, body, conclusion28
Reread, fix, proofread7

Under the clock

  • Underline the verbs and every part of the prompt; answer all of them.
  • Answer the question in its own words in the thesis, in the first paragraph.
  • Jot a short outline in the margin before drafting.
  • Out of time? Outline the rest so the grader sees the plan.
School
Launch
Composition & Creative Writing · Grades 7–12: Thesis & body paragraph (G7) · comparison & description (G8) · canons & appeals (G9) · literary analysis (G10) · research & persuasive essay (G11) · senior thesis (G12)
Lesson: schoollaunch.org/courses/composition/ · Original School Launch material.
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CompositionComposition & Creative Writing · Grades 7–12 · continued

14Style & Concision

WordyConcise
due to the fact thatbecause
at this point in timenow
in order toto
the question as to whetherwhether
has the ability tocan
in the event thatif
a large number ofmany
it is important to note that(cut it)
each and everyeach
end resultresult
made a decisiondecided
conducted an analysis ofanalyzed
“Vigorous writing is concise.” (William Strunk Jr., The Elements of Style, 1918)

“The preacher sought to find out acceptable words: and that which was written was upright, even words of truth.” (Ecclesiastes 12:10, KJV)

Clear and strong

  • Active voice by default: The council approved the bridge. Passive when the doer is unknown or unimportant: The bridge was built in 1820.
  • Strong verbs: decided, not made a decision.
  • Concrete words: oak, plow, 40 miles, not things, a lot, far.
  • Formal register: no slang; in academic prose avoid you and contractions; cut I think.

Classical style

Four virtues
correctness, clarity, ornament, decorum (fit to subject, reader and occasion)
Three levels
plain (to teach), middle (to delight), grand (to move)

Lincoln’s three times

Lincoln’s address at Gettysburg moves through time: “Four score and seven years ago” (past), “Now we are engaged in a great civil war” (present), to “that this nation, under God, shall have a new birth of freedom” (future). Conclusions can make the same turn.

Cut the deadwood Fix it

It is a fact that there were many soldiers who, due to the fact that they were tired, were not able to march in the morning.26 words
Many tired soldiers could not march in the morning.9 words
Schemes and tropes
FigureWhat it isExample
Antithesiscontrast in balanced form“It was the best of times, it was the worst of times,” (Dickens, 1859)
Anaphorarepeated opening words“we cannot dedicate… we cannot consecrate… we cannot hallow this ground” (Lincoln)
Tricolonthree parallel parts“of the people… by the people… for the people” (Lincoln)
Chiasmusreversed order, A B · B A“The sabbath was made for man, and not man for the sabbath” (Mark 2:27, KJV)
Metaphorcalls one thing another“Thy word is a lamp unto my feet, and a light unto my path.” (Psalm 119:105, KJV)
Similea comparison with like or as“he shall be like a tree planted by the rivers of water” (Psalm 1:3, KJV)
Rhetorical questionasked for effect, not answer“If God be for us, who can be against us?” (Romans 8:31, KJV)
Litotesunderstatement by denying the opposite“a citizen of no mean city” (Acts 21:39, KJV)
Personificationhuman action given to things“Let the floods clap their hands” (Psalm 98:8, KJV)

15Sentence Variety

Four sentence structures
StructureExample
Simple: one independent clauseThe walls held.
Compound: two or more independent clausesThe walls held, and the raiders left.
Complex: one independent + a dependent clauseBecause the walls held, the raiders left.
Compound-complexBecause the walls held, the raiders left, and the farmers came home.

Copia: one thought, many ways

Renaissance schools, after Erasmus, had students rewrite one sentence dozens of ways. The book delighted me. → I read the book with delight. → Few things have pleased me more than that book. → What a delight that book was! → The book was a feast. Keep the best; learn from all.

Vary the openings
Open withExample
an adverbSlowly, the fog lifted.
a prepositional phraseAt dawn, the bells rang.
a participial phraseSeeing the sails, the watchman shouted.
an adverb clauseWhen the tide turned, we rowed.
an infinitive phraseTo reach the town, we crossed the ford.
a transitionEven so, the bridge stood.

Keep it parallel

  • Pairs and lists take the same form: to read, to write and to speak, not to read, writing and to speak.
  • Balanced halves ring: Alfred lost a battle but won a kingdom.
Loose sentence
main clause first, details after: Alfred held on through cold, hunger and defeat.
Periodic sentence
main point saved for the end: Through cold, hunger and defeat, Alfred held on.
Rhythm
follow a long sentence with a short one. It wakes the reader.

Combine choppy sentences Fix it

The Danes came by sea. They came in spring. They burned the abbey.choppy
Sailing in with the spring, the Danes burned the abbey.combined
School
Launch
Composition & Creative Writing · Grades 7–12: Thesis & body paragraph (G7) · comparison & description (G8) · canons & appeals (G9) · literary analysis (G10) · research & persuasive essay (G11) · senior thesis (G12)
Lesson: schoollaunch.org/courses/composition/ · Original School Launch material.
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CompositionComposition & Creative Writing · Grades 7–12 · continued

16The Research Paper

StepWhat to do
1QuestionNarrow a topic to a research question (How did Alfred defend Wessex?); survey an encyclopedia, but do not cite it.
2SearchCatalog and databases; subject headings; Boolean AND, OR, NOT; “exact phrases”; citation chaining (mine bibliographies).
3Evaluate, take notesTest each source; a source card per source (citation, number); a note card per idea (source, page; Q, P or S).
4Thesis & outlineTurn your answer into a working thesis; sort note cards into the outline.
5DraftCite as you write: every quotation, paraphrase, summary and uncommon fact.
6Revise & documentThree passes (section 20); build the Works Cited or References list; check each in-text citation against it.

Kinds of sources

Primary
evidence from the time or person: letters, diaries, speeches, laws, records, an original experiment
Secondary
a later study of primary sources: histories, biographies, journal articles
Tertiary
summaries of secondary work: encyclopedias, textbooks

Source card and note card (model)

Source 3: Whitlock, Clara A. Burhs and Books: King Alfred’s Wessex. Ridgeline Press, 2019. (fictional)

Note card: heading Burhs: placement · source 3, p. 42 · P (paraphrase): Towns were sited so no farm lay more than a day’s walk from one.

Annotated bibliography
each citation followed by 2–5 sentences: what the source says, how reliable it is, how you will use it

AI chat tools

  • Never cite an AI chat tool as a source; its answers are not a fixed, accountable text.
  • It can invent quotations, facts and whole books; verify everything in a real source.
  • Submitting its writing as yours is plagiarism.

A good research question

is open (how? why?), focused and answerable from sources you can reach.

17Evaluating Sources

Five questions
AskOf a secondary source
AuthorWho wrote it? What training, what record?
PublisherWho stands behind it: university press, journal, agency, a stranger?
EvidenceDoes it cite sources you could check?
PurposeTo inform, to sell, to campaign? Who gains?
DateIs it current enough for the subject?

“at the mouth of two witnesses, or at the mouth of three witnesses, shall the matter be established.” (Deuteronomy 19:15, KJV)

Weighing a witness
AskOf a primary source (a witness)
NearnessWas the writer there, and how soon after?
Means of knowingCould the writer actually know this?
MotiveAny reason to bend the truth?
CorroborationDo independent witnesses agree?
A statement against interest (admitting what hurts one’s own side) is unusually believable.

On the web

  • Read laterally: leave the page and see what other reliable sources say about the site and its author.
  • Check provenance: trace a quotation, statistic or image to where it first appeared.
  • A domain (.org, .edu, .com) does not prove reliability.
  • Red flags: no author, date or sources; outrage in capitals; mostly ads.
  • The Bereans “searched the scriptures daily, whether those things were so.” (Acts 17:11, KJV)

18Quoting, Paraphrasing & Plagiarism

What it is (always cited)
Quotationexact words, in quotation marks
Paraphraseyour own words and sentence pattern, about as long
Summarythe main idea only, much shorter

One passage, four ways

Original: “From a child I was fond of reading, and all the little money that came into my hands was ever laid out in books.” (Franklin)

Paraphrase: As a boy, Franklin spent nearly every coin he got on something to read (Franklin).

Summary: Franklin loved books from childhood (Franklin).

Patchwriting (plagiarism, even if cited): From a child Franklin was fond of reading, and his little money was laid out in books.

Weaving in quotations

  • Signal phrase, comma: As Franklin recalls, “…”
  • Woven: Franklin’s money was “ever laid out in books.”
  • Colon after a full sentence: He names his first love: “…”
  • [Brackets] for a changed word; ellipsis (…) for omitted words; never change the meaning.
  • Long quotations become block quotations: over four lines of prose or three of poetry (MLA); 40 words or more (APA).
  • Signal verbs: argues, observes, notes, reports, concedes, insists, warns.
Plagiarism
passing off another’s words or ideas as your own: missing quotation marks or citation, patchwriting, a borrowed paper, AI-written text
Common knowledge
undisputed facts found in many general sources (Washington was the first president) need no citation; when in doubt, cite

“Thou shalt not steal.” (Exodus 20:15, KJV) A citation pays an honest debt. Formats: the companion MLA & APA Citation sheet.

School
Launch
Composition & Creative Writing · Grades 7–12: Thesis & body paragraph (G7) · comparison & description (G8) · canons & appeals (G9) · literary analysis (G10) · research & persuasive essay (G11) · senior thesis (G12)
Lesson: schoollaunch.org/courses/composition/ · Original School Launch material.
Page 7
of 8
CompositionComposition & Creative Writing · Grades 7–12 · continued

19Common Errors

ErrorWrongRight
FragmentBecause the river rose.The town flooded because the river rose.
Comma spliceThe walls held, the raiders left.The walls held, so the raiders left.
Run-on (fused)The walls held the raiders left.The walls held; the raiders left.
Subject–verb agreementThe list of names are long.The list of names is long.
Pronoun agreementEach student brought their book.Each student brought his book (or his or her; or The students brought their books).
ErrorWrongRight
Vague pronounThis shows he was wise.This decision shows he was wise.
Tense shiftHe climbs the hill and saw the fleet.He climbs the hill and sees the fleet.
Person shiftWhen a student reads, you learn.When students read, they learn.
Dangling modifierWalking to town, the rain began.Walking to town, we felt the rain begin.
Faulty parallelismto read, writing and to speakto read, to write and to speak
its / it’sThe town lost it’s wall.The town lost its wall.
ErrorWrongRight
Apostrophe pluralThe Dane’s came in ship’s.The Danes came in ships.
Quotation punctuationHe called it “a refuge”.He called it “a refuge.” (American style)
Dropped quotationa quotation standing alone as a sentenceintroduce it and explain it
Unsupported claimEveryone knows Alfred was great.give the evidence and cite it
Wordiness, clichésat the end of the daysay it plainly: finally
Grammar and punctuation in full: see the English Grammar & Punctuation guide.

20Revision & Editing Checklists

Pass 1 · Argument & structure

  • Is the thesis one clear, arguable sentence?
  • Does every body paragraph prove part of it?
  • Are the points in the best order (strongest last)?
  • Is the best objection answered fairly?
  • Reverse outline: write each paragraph’s point in the margin; does the list make sense?

Ways to see again

  • Set the draft aside a day; read it aloud.
  • Peer review: one strength, one question, one suggestion. “Iron sharpeneth iron; so a man sharpeneth the countenance of his friend.” (Proverbs 27:17, KJV)

Pass 2 · Paragraphs & sentences

  • Does each paragraph have a topic sentence, evidence, explanation and link?
  • Is every quotation introduced and explained?
  • Are transitions at the turns, and right for the relation?
  • Cut needless words; prefer active voice and strong verbs.
  • Vary sentence length; check parallelism.

Large to small

Argument, Paragraphs, Proof: revise in that order, so you never polish a sentence you are about to cut.

Pass 3 · Proofreading & format

  • Spelling (read backward, word by word), capitals, punctuation.
  • Every source cited in the text and listed at the end; the two match.
  • Format: margins, spacing, font, heading, page numbers, title.
  • Title: fresh, specific, in title case.
  • Read the final copy aloud, from paper, slowly.
Revise
from Latin revidere, see again: the large things first
Edit
sentences and words
Proofread
the last look for slips

21Self-Check Rubric

Criterion4 · Excellent3 · Good2 · Developing1 · Beginning
Invention: thesis & ideasclear, arguable, insightful thesis; ideas fully developedclear thesis; ideas mostly developedthesis vague or obvious; thin ideasno real thesis
Arrangement: orderevery paragraph serves the thesis; strong order; smooth transitionsorganized; a few weak linkssome paragraphs wanderhard to follow
Evidence & citationapt, explained evidence; every source cited correctlygood evidence; minor citation slipsthin or unexplained evidence; citation gapslittle evidence; uncited borrowing
Styleconcise, varied, fitting; strong verbsclear; some wordinesswordy or flat; tone slipsunclear
Mechanics & formatnearly error-free; format exactfew errorserrors distracterrors block meaning
Score each row 1–4; the total is out of 20. Multiply by 5 for a percent: 17 points = 85%. Score your own draft first and revise the lowest row.
Scale (course grading)
PointsPercentGrade
18–2090–100A
16–1780–89B
14–1570–79C
13 or lessbelow 70revise and resubmit

Before you hand it in

  • Every part of the prompt is answered.
  • Heading or title page in the style asked for.
  • Source list on its own page, alphabetized, hanging indents.
  • You can defend every sentence if asked: “Prove all things; hold fast that which is good.” (1 Thessalonians 5:21, KJV)